Recent Writing:

• “Intersections—The Frank-Ratchye STUDIO for Creative Inquiry Celebrates its 30th Anniversary,” Nov 2019 (for CAN)
• “Introducing COSA, the Clinic for Open Source Arts,” Oct 2019 (for COSA)

Selected Articles, Book Chapters, and Essays:

• “New Twists in Circuit Bending,” Musicworks 131, 2018
• “The Music of Interface,” Musicworks 129, 2017
• “Divide-and-conquer: Jesse Colin Jackson’s Marching Cubes,” ESPACE 116, 2017
• “Trickle Down Aesthetics—Cellular Automata in recent works by Troika,” CreativeApplications.Net, 2017
• “It's About Time: Prototyping and Intent,” V2_ Lab for the Unstable Media Blowup Reader 8, 2014
• “Can sound be spaceless?,” Surrounding Sound, 2014
• “War Rooms”, ICON 109, 2012
• “Critical Sections,” Vectors 3 (2), 2012 (with Erik Loyer)
• “Urban Screens: The Schematic City in Gaming and Architectural Representation,” 3:AM Magazine, 2010
• “Notes on Going Under: A DEVO Primer,” Rhizome, 2009
• “Information Visualization and Interface Culture,” Handbook of Research on Computational Arts and Creative Informatics, 2009

Selected Catalogue Essays:

• “Parsing the Database of Ruin: Daito Manabe's Invisible War,” Hôtel Salomon de Rothschild (Paris, FRA), 2019 (with Alexander Scholz)
• “Our Gaze is the Projector Now—‘100% Cinema’ in Jeremy Rotsztain’s House of Shadow Silence,” Academy Theatre (Portland, USA), 2017
• “The Totally Superfluous Catalogue Essay for Zach Lieberman’s Instagram Account,” A-B-Z-INE 2, 2017
• “Flatland: Matthew Biederman's Serial Mutations (X-axis),” Pierre-François Ouellette Art Contemporain Project Space (Montreal, CAN), 2014
• “Invisible Forces, Domestic Rhythms,” Centre des arts actuels Skol (Montreal, CAN), 2013
• “Material, Immaterial: Jillian Ross & Liam Wylie's Double Back,” InterAccess (Toronto, CAN), 2012
• “Continuous City: Tori Foster’s The Impossibility of Understanding in the Path of a Torontonian,” Convenience Gallery (Toronto, CAN), 2010